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Followers
1.1K
Account age
3 yrs
💰 Suggested sponsorship rate
$40 – $65 / sponsored post
Estimated from audience size & typical reach — every deal is negotiable and held in SocialDB escrow.
🧰 Free analysis for musicOMH
📊 Post engagement
2
Avg engagement / post
0.2%
Engagement vs followers
Jul 2023
On Bluesky since
🔥 Top post: Madness @ On The Beach Festival, Brighton review - "nothing shor · 4 likes + reposts
📊 Activity & format
Posting cadence
12 / week
Posts daily — consistently active for a campaign window.
Content mix
Mostly text
Recent: 12 text · 0 image · 0 video.
Follower / following
29×
Follows 39 back. A strong ratio — an audience that follows them, not a follow-for-follow network.
Recent posts
View on Bluesky ↗
Sinfonia of London review – Wilson’s Respighi blazes at the BBC Proms
Aasgaard's restrained Walton divides opinion, but Wilson and the Sinfonia's Roman trilogy more than compensates in a glorious second half
BBC National Orchestra of Wales review – a spiritually charged Prom
Szymanowski's Stabat Mater proves the undoubted highlight as Bancroft and massed choirs bring off a beautifully controlled concert
The Strokes - Reality Awaits | New York outfit's seventh album sums up the band themselves - sometimes brilliant, often frustrating, but always worth listening to
Charli XCX - Music, Fashion, Film | Latest experimental offering from Charlotte Aitchison may sail close to self-indulgence but also cements her status as one of our most compelling pop stars
The Rolling Stones - Foreign Tongues | 25th album from one of the world's greatest rock'n'roll bands shows they still have something to say, and they're doing so quite thrillingly
Caroline & My New Band Believe @ Queen Elizabeth Hall, London review - "arresting blasts of dissonance with languid melody"
The Magic Flute review – West Green House Opera works its usual magic
Richard Studer's ingenious pared-back staging and a strong cast make a compelling case for small-scale Mozart in Hampshire
Prog Rock: A Fanfare For The Common Man review – an expertly curated smorgasbord at the Proms
Carl Palmer, Guy Garvey and a stellar BBC Concert Orchestra bring prog rock's grandeur and ambition to the Royal Albert Hall
Ariadne auf Naxos review – Laurent Pelly and Robin Ticciati deliver the definitive staging
Rachel Willis-Sørensen's role debut and Alina Wunderlin's Zerbinetta make this production unmissable at Glyndebourne
Black Dyke Band review – brass at its finest in a memorable Proms return
Nicholas and David Childs lead a brilliantly varied programme from Bingham to Gregson, with a dazzling Hemingway concerto at its heart
BBC Proms 2026 First Night review – Stasevska steers the BBC SO in a sparkling evening
Yunchan Lim's luminous Ravel and a vivid Gershwin lift the First Night, with Finzi's ceremonial ode an unexpected late highlight
🦋 Handle & authenticity
✅ Domain-verified
@musicomh.com
The handle is the domain musicomh.com. On Bluesky a domain handle proves the owner controls that website — so this is verifiably the real musicomh.com account, not an impersonator.
On Bluesky since
Jul 2023
An early adopter from the invite-only beta (before the Feb 2024 public launch) — an original, established account.
💡 Facts
🗓️Joined Bluesky in 2023 — 3 years ago.
👁️Averages 2 views per post.
📤Posts about 12× per week.
🛡️ Audience credibility
66/100
Good
Credibility score
89%
Real
Real audience
Low
Fake-follower risk
High
Data confidence
- Est. 89% real, active audience · Low fake-follower risk.
- Engagement (~0.2% of followers engage each post) is around typical for Bluesky.
- Established account (3+ years old).
Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.
About
Music/its makers, reviewed, interviewed, featured, mulled over and served up since last century. | Also on Zucksites, &c., but meh.
Editor: @yeoldemother | Deputy Editor: @stevenpj
https://www.musicomh.com
🔀 Audience overlap
EstimatedEstimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.
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