Make a deal with Aaron T. Pratt
🔒 Paid proposals held safely in escrow — released only when the work's approved.
Known for
31 views
The Catholic Scotsman John Barclay (1582–1621) was responsible for an international bestseller that few today have heard of & that even fewer have read: Argenis.
First pub’d in Paris in 1621—the year of Barclay’s death—the prose romance quickly found its way from Barclay’s Neo-Latin into European vernaculars. It was a hit, in (large?) part b/c it reads as an allegory of recent European politics. M
30 views
Here's one for the medievalists and early modernists.
Eadmer's Historia novorum in Anglia, written in the 12th century, first saw print under the editorial care of the great John Selden in 1623.
The Harry Ransom Center's copy preserves the entirely standard, unassuming boards of its original 17th-century binding.
The title-page, though, reveals it to be a special copy, indeed:
At the top, the poe
29 views
Huh—a copperplate print I acquired for the Ransom Center & photographed for Twitter is featured in the new Christian Bale thriller-horror movie, The Pale Blue Eye (2022).
The print of the Witches' Sabbath is from Laurent Bordelon's anti-superstition satire, L’Histoire des imaginations extravagantes de Monsieur Oufle (Paris, 1710) but has been extracted & bound w/ a copy of Pierre De Lancre's very
10 views
The Harry Ransom Center at UT-Austin is now home to a credit-card-size fragment of the Gospel of John (ca. 250–350 CE).
It is /unique/ among the early New Testament manuscripts that survive: it appears to have been originally designed as a scroll, not a codex (i.e the form of the book that's most familiar to us today).
Those familiar with the early history of the book will know that the spread of
📊 Post engagement
🔥 Top post: The Catholic Scotsman John Barclay (1582–1621) was responsible f · 31 likes + reposts
📊 Activity & format
Recent posts
View on Mastodon ↗
🔥 Top post
The Catholic Scotsman John Barclay (1582–1621) was responsible for an international bestseller that few today have heard of & that even fewer have read: Argenis.
First pub’d in Paris in 1621—the year of Barclay’s death—the prose romance quickly found its way from Barclay’s Neo-L…
For reasons somewhat beyond me, the kids over on Twitter are keen on this full-page colophon from the Pforzheimer copy of Skelton’s Why come ye nat to courte (London: Richard Kele, 1545). Would be a shame to deny you all similar pleasures:
Skylton poyet.
(HRC Pforz 495 PFZ)
Guys, I accidentally* bought what appears to be a 17th-century alternate version of Adriaen Brouwer’s famous tronie, The Bitter Draught. A classic Aaron Pratt move.
It’s presumably by another artist than Brouwer, so now I’m in the fun posi…
Huh—a copperplate print I acquired for the Ransom Center & photographed for Twitter is featured in the new Christian Bale thriller-horror movie, The Pale Blue Eye (2022).
The print of the Witches' Sabbath is from Laurent Bordelon's anti-su…
Here's one for the medievalists and early modernists.
Eadmer's Historia novorum in Anglia, written in the 12th century, first saw print under the editorial care of the great John Selden in 1623.
The Harry Ransom Center's copy preserves the…
📢All in-person spots for
Geoffrey Smith's Ransom Center
lecture on the newly acquired Willoughby Papyrus are called for—folks apparently love Christian antiquities—but anyone can watch it live at 4:30pm CST today:
https://www.youtube.com/…
This is the kinda content that keeps me paying for the New York Times:
https://www.nytimes.com/2022/11/28/magazine/cardboard-international-paper.html
Oh hey—busted two-factor on the server has kept me from logging in for the last few days.
Miss anything good?
The Harry Ransom Center at UT-Austin is now home to a credit-card-size fragment of the Gospel of John (ca. 250–350 CE).
It is /unique/ among the early New Testament manuscripts that survive: it appears to have been originally designed as a…
🐘 Community & instance
💡 Facts
🕵️ Fake follower check
Estimated- Est. 97% real, active audience · Low fake-follower risk.
- Strong engagement (~5.1% of followers engage each post) — an active, real audience.
- Established account (3+ years old).
Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.
💚 Brand affinity
EstimatedBrands Aaron T. Pratt's audience is most likely to respond to — from detected sponsorships in this niche.
About
📸 Gallery
🔀 Audience overlap
EstimatedEstimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.
More like this
Find more →✉ Message Aaron T. Pratt
Reaching out to influencers is a Pro feature. Upgrade to message any influencer directly — perfect for brands and agencies booking sponsorships.
- ✓ Message any influencer from their listing
- ✓ The influencer gets notified by email
- ✓ Manage every conversation in one inbox
Already Pro? Log in.
🎤 Event / appearance with Aaron T. Pratt
Booking an event / appearance is a Pro feature. Upgrade to book Aaron T. Pratt for an in-person or virtual appearance — payment held safely in escrow until the event is done.
- ✓ Book them for events, livestreams, panels & more
- ✓ Aaron T. Pratt gets notified by email
- ✓ Fee held in escrow, released after the appearance
Already Pro? Log in.
You're out of free requests this month
Free accounts get 5 per month. Go Pro for unlimited sponsor pitches, collab requests & sponsorship deals — plus featured placement, the Verified badge, free withdrawals and more.
Upgrade to Pro — $9.95/mo →Your free limit resets on the 1st of next month.
Auto-generated from Mastodon's public data — no affiliation with or endorsement by SocialDB. Is this you? Claim it · Remove