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Make a deal with Anton Bitel
🔒 Paid proposals held safely in escrow — released only when the work's approved.
Followers
653
Account age
1 yrs
💰 Suggested sponsorship rate
$40 – $65 / sponsored post
Estimated from audience size & typical reach — every deal is negotiable and held in SocialDB escrow.
🧰 Free analysis for Anton Bitel
📊 Post engagement
3
Avg engagement / post
0.5%
Engagement vs followers
Feb 2025
On Mastodon since
🔥 Top post: "A labyrinthine enigma of chillingly perfect construction": unre · 3 likes + reposts
📊 Activity & format
Posting cadence
41.1 / week
A very active account — posts many times a day.
Content mix
Mostly text
Recent: 12 text · 0 image · 0 video.
Follower / following
1×
Follows 679 back. A more reciprocal / networked account.
Recent posts
View on Mastodon ↗
“celebrates independent video companies’ rediscovery, restoration and recentring of paracinema lost”: Ry Levey's documentary BOUTIQUE: TO PRESERVE AND COLLECT (2024) has its Canadian première (with director's Q&A) 9.30pm at Revue Cinema, O…
A tale of two sisters: in Dave Boyle’s ghostbusting murder mystery NEVER AFTER DARK (2026), ultimately "cinema is the medium that transgresses the boundary between life and death." Screens 9pm tonight at Fantasia International Film Festiva…
Neighbouring sounds (of legacy): Henry Chaisson’s superb debut feature RECLUSE (2026) "concerns a haunted family, with creepy underpinnings in art and acoustics". Re-screens 1.35pm today at Fantasia International Film Festival. https://pro…
(Un)die hard: Yeon Sang-ho’s not-quite-sequel COLONY (GUNCHE, 2026) "pits hive-mind zombies against a highly independent heroine in need of a working team". Screened last night at Fantasia International Film Festival. Review for SciFiNow M…
A future that is hard to resist: Junta Yamaguchi’s breezy single-take, multi-time puzzler BEYOND THE INFINITE TWO MINUTES (2021) leaves you in awe of both its intricate plotting & 4D-chess filmmaking. How on earth did they do it? 6.30pm to…
Lynch on a low budget: Harrison Atkins’ disorienting psychodrama SOUR MINNOWS (2026) "shows film-adjacent Angelenos lost in their dreams and disappointments". Re-screens 1.45pm today at Fantasia International Film Festival. https://project…
Neighbouring sounds (of legacy): Henry Chaisson’s superb debut feature RECLUSE (2026) "concerns a haunted family, with creepy underpinnings in art and acoustics". Screens 9.30pm today at Fantasia International Film Festival. https://projec…
“You’ve been feeling strange lately, Barbara, confused. This confusion has been transmitted to you from another time, another place, beyond human knowledge and understanding”: Michael J. Paradise's THE VISITOR (1979) screens 8.30pm today a…
Nostalgia menu: Joseph Scrimshaw’s amiably postmodern debut feature DEAD MEDIA (2025) "sees a stalled Zoomer accidentally entering the world of a cursed horror DVD". Paradoxically on US VOD from today. https://projectedfigures.com/2026/04…
"a scuttling underground creature gives form to the epigenetic trauma of the Métis Nation": Tim Riedel’s Indigenous horror allegory ANCESTRAL BEASTS (2026) re-screens 10.45am today at Fantasia International Film Festival. https://projected…
"brings anarchy, irrationality and apocalypse to a grieving sheriff in a small-town microcosm of the American nightmare": Toby Poser & John, Zelda and Lulu Adams' enrapturing THE GLORIOUS DEAD (2026) just had its world première at Fantasia…
🐘 Community & instance
Home server
zirk.us
Their home server on the fediverse — the instance a creator picks signals the community they belong to.
On Mastodon since
Feb 2025
An established account with real history on the platform.
💡 Facts
🗓️Joined Mastodon in 2025 — 1 year ago.
👁️Averages 3 views per post.
📤Posts about 41.1× per week.
🛡️ Audience credibility
61/100
Fair
Credibility score
84%
Real
Real audience
Low
Fake-follower risk
High
Data confidence
- Est. 84% real, active audience · Low fake-follower risk.
- Engagement (~0.5% of followers engage each post) is around typical for Mastodon.
Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.
About
The #Horror.
Feckless freelance film critic and neurotic apanthrope.
Bylines all over the yard (Sight and Sound, Little White Lies, SciFiNow, booklet essays, etc.).
Programmer for the London Korean Film Festival.
London Film Critics' Circle, Online Film Critics Society.
Rejecter of lanyards. Teacher of undergrads.
Australian sentenced to life in England.
Oxford, UK
🔀 Audience overlap
EstimatedEstimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.
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