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This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding through academic outputs
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Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Carret – dear friends and photographers whose work lies at the h
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And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader academic afterlife, while also offering fair and thoughtful critiq
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The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic, experimenting with a multi-chapter ethnographic form with no
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This summer marks three years since the premiere of my ethnographic film #HopaLide.
That is usually the moment when films start to feel a little old. In academia, however, they often gain a second life thanks to slower publication timelines. That second life is now unfolding thr…
And just a reminder that the film #HopaLide is available online – you can watch it here =>
https://hopalide.nuska.me/en/#watch-the-film
Best of all? It streams on #PeerTube, so no ads, no tracking –> just the film!
Enjoy!
#VisualEthnomusic…
The previous month, I also reconnected with fellow ethnomusicologist–filmmakers at the conference "New Perspectives in Audiovisual Ethnomusicology: Between Archives and New Technologies" in Cagliari. I revisited an older project there – th…
Those interested in the musical landscape of #HopaLide might also enjoy my earlier short film, "Rooted Musicians from #Klenovec". I recently had the pleasure of presenting it in Bratislava at a photo exhibition by Claude and Marie-José Car…
For those who prefer listening to reading, here is a recording from the recent Between Research and Activism: Futures of Music and Minority Studies symposium, organised by my dear colleagues at the Music and Minorities Research Center in V…
And one more for those who enjoy reading: a new open-access review of #HopaLide by David Verbuč has just been published in Music & Minorities. It stands out for its close scene-by-scene analysis and engagement with the film’s broader acade…
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Bonus tip: if you want to experience the argument about movement to the fullest, try this HTML version of the preprint. It includes embedded multimedia that *actually* move. (Could this be the first moving preprint in the history of academ…
The article proposes thinking about ethnographic filmmaking through different forms of movement and – using Hopa lide as a case study – traces both the history and contemporary practice of movement in ethnographic film. It also invites fil…
If one academic article is not enough, you may enjoy another piece just published in Visual Studies. The article approaches filmmaking through the lens of movement, exploring how camera mobility shapes ethnographic knowledge in the film Ho…
The article also reflects on what I call the hegemony of the story in contemporary #documentary filmmaking – the expectation that films revolve around strong protagonists and clear narrative arcs. Hopa lide deliberately resists this logic,…
First, my article on the making of the ethnographic film Hopa lide and the question of Romani representation in documentary cinema has been published in Visual Anthropology Review.
The article explores collaborative filmmaking as a respons…
This made my day! #OpreRoma
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