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Being a technical artist requires problem solving and some lateral thinking - inside this marvellous polar bear head, I tucked a wireless mic so that our performer could be heard, which also gave the polar bear a wonderful deep voice. Creative problems and creative solutions combine to make creative magic!
I'll be your magician - contact me via DM or via https://www.chriswenn.com
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This is me, deep in performance mode with Primitive Calculators a few years back. Being on stage making noises was a radical change to my perspective. I became more comfortable with mistakes, glitches, and the unexpected weirdnesses of being in that strange and liminal moment of audience meeting performer.
Do you need productive errors? DM or contact me via the website https://www.chriswenn.com
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The body, in motion. In a sense, the beginning of #punkambient - a performance intensive in Jakarta, 2010. My first, utterly overwhelming, experience outside my own context. In this process, I learned to create outside my own toolkit, to make work despite discomfort, and to accept vulnerability and error as essential parts of my work.
Does your project need full-spectrum dedication? https://www.ch
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This is me, deep in performance mode with Primitive Calculators a few years back. Being on stage making noises was a radical change to my perspective. I became more comfortable with mistakes, glitches, and the unexpected weirdnesses of bei…
Being a technical artist requires problem solving and some lateral thinking - inside this marvellous polar bear head, I tucked a wireless mic so that our performer could be heard, which also gave the polar bear a wonderful deep voice. Crea…
The artist as represented by the tools. I use a combination of hardware and software to create #punkambient environments for your project, through deep collaboration and engagement with your vision.
Do you need strange sonics? Contact me v…
What we're gonna do right is go back, back into time: In 2002, director Alyson Campbell took a punt on a weird, furry noise creature to explore the sonic world of Lachlan Philpott's 'Catapult'. None of us had any idea where this would end …
"If they think you’re crude, go technical; if they think you’re technical, go crude. I’m a very technical boy." A rehearsal setup for the sonic strangeness created with ReVerse Butcher a few years back.
If you need sound that suits your pr…
Korg devices are a big part of the sounds that I make, and once they started tinkering with their legacy back with the MS-20 rerelease, their capacity to innovate on their design and sonic language has expanded. I love this. I want this. G…
The body, in motion. In a sense, the beginning of #punkambient - a performance intensive in Jakarta, 2010. My first, utterly overwhelming, experience outside my own context. In this process, I learned to create outside my own toolkit, to m…
Observations.
I thought I'd be ok with being back on campus at VCA for a few hours. Turns out, of course I'm fucking not.
I've been completely blanked by three former colleagues already.
On a different note, the absurd privilege of this pl…
https://thebaffler.com/latest/depravitys-rainbow-ferrer
This is, without doubt, the most pugnaciously male piece I have ever read. Amidst the Poundland Hunter Thompson-ing, ersatz Foster Wallace, and infomercial-grade Hemingway, there's a …
This fuckin country, man
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