Thomas Dreher

Thomas Dreher

Mastodon @tdreher@mstdn.social
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🔒 Paid proposals held safely in escrow — released only when the work's approved.

📣Sponsored postOne disclosed post (toot) with your link and message. $12→ 🧵Sponsored threadA multi-post explainer or story — the fediverse rewards dept… $30→ 📦Product seeding / honest reviewSend me your product — I post a disclosed, honest take. Auth… $16→ 📌Pinned sponsored postA disclosed post pinned to the top of my profile for the mon… $36/mo→ 🔗Profile link (bio field)Your link in one of my profile metadata fields for the month… $18/mo→ 🔁Boost packageI boost (repost) your account's toots through the month — di… $24/mo→ 🏛️Instance / community sponsorshipSponsor the server I run — a sponsor line in the About/rules… $30/mo→ 🤝Mutual boost collabWe boost each other across instances — a value swap between … Swap→

Every booking is a normal escrow-protected deal.

Followers
106
Account age
3 yrs

Known for

History of Computer Art, HTML versions in English and German with embedded videos: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms - as it was before. All versions of the "History of Computer Ar8 views History of Computer Art, HTML versions in English and German with embedded videos: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms - as it was before. All versions of the "History of Computer Ar My review of Paul Wood's "Biting the Hand" is published on Art.Hist. The artist Paul Wood, living in Milton Keynes, was a member of the Art & Language group of artists founded in 1968. In publications on Conceptual Art and Art & Language, he and other English fellow campaigners have so far been ment3 views My review of Paul Wood's "Biting the Hand" is published on Art.Hist. The artist Paul Wood, living in Milton Keynes, was a member of the Art & Language group of artists founded in 1968. In publications on Conceptual Art and Art & Language, he and other English fellow campaigners have so far been ment Ramona Westhof interviewed me about Allan Kaprow's "18 Happenings in 6 Parts" (1959) and its consequences for performance art. Deutschlandfunk Kultur, 10/04/2024. Corrections: In 1959 Allan Kaprow used the term happening for the first time in a title (He realized happenings since 1958). The person p2 views Ramona Westhof interviewed me about Allan Kaprow's "18 Happenings in 6 Parts" (1959) and its consequences for performance art. Deutschlandfunk Kultur, 10/04/2024. Corrections: In 1959 Allan Kaprow used the term happening for the first time in a title (He realized happenings since 1958). The person p After features of circa 200 hundred individual works with links to my interpretations I decided to stop the series. Thank you for your attention! My sites: https://dreher.netzliteratur.net ; http://iasl.uni-muenchen.de/links/lektion0e.htm2 views After features of circa 200 hundred individual works with links to my interpretations I decided to stop the series. Thank you for your attention! My sites: https://dreher.netzliteratur.net ; http://iasl.uni-muenchen.de/links/lektion0e.htm

📊 Post engagement

2
Avg engagement / post
1.9%
Engagement vs followers
Nov 2022
On Mastodon since

🔥 Top post: History of Computer Art, HTML versions in English and German wit · 8 likes + reposts

📊 Activity & format

Posting cadence
0.08 / week
A lower-frequency account — each post lands with more weight.
Content mix
Mostly images
Recent: 0 text · 12 image · 0 video.
Follower / following
0.5×
Follows 201 back. A more reciprocal / networked account.

Recent posts

View on Mastodon ↗
🔥 Top post History of Computer Art, HTML versions in English and German with embedded videos: I updated the embed codes (YouTube, Vimeo and dailymotion changed them). Now you can see the videos within the text and go to the videos on the platforms - as it was before. All versions of the "H… ★ 8
Florian Böhm, Luca Pizzaroni, Wolfgang Scheppe: EndCommercial, 1997-2002. Critique in: Dreher, Thomas: Art, Entertainment & Fiktion. Drei Beispiele. In: Kunstforum Bd. 202/2010, p.92-97. PDF in: URL: https://dreher.netzliteratur.net/8_Konz… Pierre Huyghe: Third Memory, 2000. Video installation. Critique in: Dreher, Thomas: Art, Entertainment & Fiktion. Drei Beispiele. In: Kunstforum Bd. 202/2010, p.92-97. PDF in: URL: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_Art… ★ 1 Joseph Kosuth: Passagen-Werk, 1992. documenta 9, Neue Galerie, Kassel. Critique in: URL: https://dreher.netzliteratur.net/3_Konzeptkunst_Kosuth2e.pdf #JosephKosuth #WalterBenjamin #Passagenwerk #ConceptArt #ConceptualArt #documenta #docume… Critique of Daniel Spoerri, exhibition at Lenbachhaus Munich 1990-1991, in: das kunstwerk, March 1991, p.57ff. URL: https://dreher.netzliteratur.net/1_Die_60ziger_Jahre_Spoerri.pdf #DanielSpoerri #nouveaurealisme #objectart #neodada #table… Critique of the exhibition Concept Art, Mimimal Art, Arte Povera, Land Art: Collection Egidio Marzona, Kunsthalle Bielefeld 1990 (Now a part of the collection SMPK, Hamburger Bahnhof, Berlin). New in: URL: https://dreher.netzliteratur.net/… ★ 1 My review of Paul Wood's "Biting the Hand" is published on Art.Hist. The artist Paul Wood, living in Milton Keynes, was a member of the Art & Language group of artists founded in 1968. In publications on Conceptual Art and Art & Language, … ★ 3 Sol LeWitt: Structures with Open Cubes, since 1965. Painted Wood. In: Dreher, Thomas: Differenz und Indifferenz. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 6, Munich 1989, p.6f. PDF with new illustrations: https://dreher.n… ★ 1 Robert Smithson: Double Non-Site, California and Nevada, 1968. Map, five painted steel boxes, lava from the Marl Mountains, California, and obsidian from the cinder cone near Truman Springs, Nevada. In: Dreher, Thomas: Epistrata. In: Künst… Robert Morris: Continuous Project Altered Daily, 1969. Installation Leo Castelli Gallery, New York. Documentation as leporello, Multiples, Inc., New York 1970. In: Dreher, Thomas: Anamorphosen. Todesreflexe in Zerrspiegeln. In: Künstler. K… ★ 1 Ramona Westhof interviewed me about Allan Kaprow's "18 Happenings in 6 Parts" (1959) and its consequences for performance art. Deutschlandfunk Kultur, 10/04/2024. Corrections: In 1959 Allan Kaprow used the term happening for the first time… ★ 2 After features of circa 200 hundred individual works with links to my interpretations I decided to stop the series. Thank you for your attention! My sites: https://dreher.netzliteratur.net ; http://iasl.uni-muenchen.de/links/lektion0e.htm ★ 2

🐘 Community & instance

Home server
mstdn.social
A large general-interest Mastodon server. On the fediverse the server a creator picks hints at their community — this one spans all topics.
On Mastodon since
Nov 2022
Joined in the Twitter-exodus wave of late 2022 — part of the migration that made Mastodon a real destination.

💡 Facts

🗓️Joined Mastodon in 2022 — 3 years ago.
👁️Averages 2 views per post.
📤Posts about 0.1× per week.

🛡️ Audience credibility

80/100 Excellent
  • Est. 97% real, active audience · Low fake-follower risk.
  • Strong engagement (~1.9% of followers engage each post) — an active, real audience.
  • Established account (3+ years old).
Est. authentic audience
97%
Fake-follower risk
Low
Data confidence
High

Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.

About

I studied history of art at LMU and wrote a thesis on "Conceptual Art in America and England between 1963 and 1976" (1988, published in German in 1992). My research on the history of art since 1945 is archived on the website "Intermedia Art" (URL: http://dreher.netzliteratur.net/). "IASLonline Lessons in NetArt" presents my research on net art (URL: http://www.iasl.uni-muenchen.de/links/lektion01e.html).

📸 Gallery

Florian Böhm, Luca Pizzaroni, Wolfgang Scheppe: EndCommercial, 1997-2002. Critique in: Dreher, Thomas: Art, Entertainment & Fiktion. Drei Beispiele. In: Kunstforum Bd. 202/2010, p.92-97. PDF in: URL: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_ArtEntertainmentFiktion.pdf #florianböhm #doc Pierre Huyghe: Third Memory, 2000. Video installation. Critique in: Dreher, Thomas: Art, Entertainment & Fiktion. Drei Beispiele. In: Kunstforum Bd. 202/2010, p.92-97. PDF in: URL: https://dreher.netzliteratur.net/8_KonzeptuelleAspekte_ArtEntertainmentFiktion.pdf #PierreHuyghe #videoinstallation #vi Joseph Kosuth: Passagen-Werk, 1992. documenta 9, Neue Galerie, Kassel. Critique in: URL: https://dreher.netzliteratur.net/3_Konzeptkunst_Kosuth2e.pdf #JosephKosuth #WalterBenjamin #Passagenwerk #ConceptArt #ConceptualArt #documenta #documenta9 #NeueGalerieKassel #ContextArt #contextartwork Critique of Daniel Spoerri, exhibition at Lenbachhaus Munich 1990-1991, in: das kunstwerk, March 1991, p.57ff. URL: https://dreher.netzliteratur.net/1_Die_60ziger_Jahre_Spoerri.pdf #DanielSpoerri #nouveaurealisme #objectart #neodada #tableaupiege Critique of the exhibition Concept Art, Mimimal Art, Arte Povera, Land Art: Collection Egidio Marzona, Kunsthalle Bielefeld 1990 (Now a part of the collection SMPK, Hamburger Bahnhof, Berlin). New in: URL: https://dreher.netzliteratur.net/1_Die_60ziger_Jahre_Marzona.pdf #ConceptArt #MinimalArt #Arte My review of Paul Wood's "Biting the Hand" is published on Art.Hist. The artist Paul Wood, living in Milton Keynes, was a member of the Art & Language group of artists founded in 1968. In publications on Conceptual Art and Art & Language, he and other English fellow campaigners have so far been ment Sol LeWitt: Structures with Open Cubes, since 1965. Painted Wood. In: Dreher, Thomas: Differenz und Indifferenz. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 6, Munich 1989, p.6f. PDF with new illustrations: https://dreher.netzliteratur.net/3_Konzeptkunst_SolLeWitt4.pdf #conceptart #c Robert Smithson: Double Non-Site, California and Nevada, 1968. Map, five painted steel boxes, lava from the Marl Mountains, California, and obsidian from the cinder cone near Truman Springs, Nevada. In: Dreher, Thomas: Epistrata. In: Künstler. Kritisches Lexikon der Gegenwartskunst. Issue 28, Munich

🔀 Audience overlap

Estimated

Estimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.

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