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Jazztime

Jazztime

🔄 Data last refreshed 3 days ago
🤝

Make a deal with Jazztime

🔒 Paid proposals held safely in escrow — released only when the work's approved.

Every booking is a normal escrow-protected deal.

Ratings
N/A
Episodes
115
Cadence
0.7 ep/wk
Latest episode
6 days ago
🎁 Free analysisfor Jazztime

💡 Facts

📤Posts about 0.7× per week.

👥 Audience demographics

Estimated

Modeled from this creator's niche, platform & region — a niche benchmark, not this creator's real audience data.

Gender split
Male 52% Female 48%
Age · peak 18-24
13-178%
18-2435%
25-3429%
35-4418%
45+10%
Top geographies
  • United States34%
  • India11%
  • United Kingdom8%
  • Brazil6%
  • Indonesia5%
Likely interests
MusicConcertsEntertainment

💚 Brand affinity

Estimated

Brands Jazztime's audience is most likely to respond to — from detected sponsorships in this niche.

Streamersonglist Keeps Mixcloud Treatstream Fiverr DistroKid Steamcommunity Genshin Impact Thronegifts Rogue Energy

About

Jede Woche eine Stunde Jazz vom Feinsten. Die Jazztime von NDR 1 Radio MV deckt die komplette Welt des Jazz ab – von Swing bis zu Modernem. Saxophonist Andreas Pasternack und Joachim Böskens, Direktor des NDR-Landesfunkhauses Mecklenburg-Vorpommern, sprechen über die Faszination des Jazz – und spielen in jeder Folge auch selbst.

Frequently asked questions

How much does Jazztime charge for a sponsorship?
Jazztime hasn't published fixed prices yet. Send a proposal through SocialDB and agree terms directly — your payment is held in escrow until the work is approved.
How do I contact Jazztime for a brand deal or collaboration?
Send a paid deal or collab request right here on SocialDB — we notify Jazztime, and once they accept, your payment is held safely in escrow and released when the work is approved. You don't need to track down an email.

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🎤 Event / appearance with Jazztime

Booking an event / appearance is a Pro feature. Upgrade to book Jazztime for an in-person or virtual appearance — payment held safely in escrow until the event is done.

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