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The Paris Review mourns the loss of Louise Glück (1943-2023). In celebration of her life and work, we’ve unlocked her poems from our archive.
https://t.co/J4pscv0vA3
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Our Summer issue is here—featuring interviews with Harryette Mullen and Yan Lianke, prose by Lucy Ellmann, Chigozie Obioma, and Daisy Hildyard, poetry by Frederick Seidel and Hannah Piette, art by Hadi Falapishi and Andrew Kuo, a cover by Alex Da Corte, and more. Follow the link
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🔥 Top post: We at the Review mourn the loss of Alice Munro (1931–2024). In m · 1.49M views
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Our Summer issue is here—featuring interviews with Harryette Mullen and Yan Lianke, prose by Lucy Ellmann, Chigozie Obioma, and Daisy Hildyard, poetry by Frederick Seidel and Hannah Piette, art by Hadi Falapishi and Andrew Kuo, a cover by …
“Struggling through the work is extremely important—more important to me than publishing it.” —Toni Morrison
The Paris Review mourns the loss of Edna O’Brien (1930–2024). In celebration of her life and work, we’ve unlocked her Art of Fiction interview from our archive.
“I’ve seen academic life destroy the best writers of my generation.” —Susan Sontag
“I’ve seen academic life destroy the best writers of my generation.” —Susan Sontag
The Paris Review mourns the loss of Louise Glück (1943-2023). In celebration of her life and work, we’ve unlocked her poems from our archive.
https://t.co/J4pscv0vA3
In remembrance of Milan Kundera, who died yesterday at age 94, we’ve unlocked his Art of Fiction interview from the archive.
“The writer is always tricking the reader into listening to the dream.”
Rest in peace, Joan Didion (1934–2021). Read more from the Art of Fiction No. 71: https://t.co/TNq9TKfElQ
“There are worse things than not receiving love. There are sadder stories than this. There are species going extinct, and a planet warming. I told myself: who are you to complain, you with these frivolous extracurricular needs?”
“I want to believe that the younger generation appreciates the beauty in the chaos and blur of translation, that they delight in extracting meaning from sounds that were perhaps once simply melted into the melody,” writes @EmilyYoon on poe…
“Is the foreignness of language in fact part of the attraction?” Issue 227 contributor @EmilyYoon writes about K-pop, language, @BTS_twt, poetry, and tenderness:
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