max koss

max koss

Mastodon @maxkoss@hcommons.social
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🔒 Paid proposals held safely in escrow — released only when the work's approved.

📣Sponsored postOne disclosed post (toot) with your link and message. $12→ 🧵Sponsored threadA multi-post explainer or story — the fediverse rewards dept… $30→ 📦Product seeding / honest reviewSend me your product — I post a disclosed, honest take. Auth… $16→ 📌Pinned sponsored postA disclosed post pinned to the top of my profile for the mon… $36/mo→ 🔗Profile link (bio field)Your link in one of my profile metadata fields for the month… $18/mo→ 🔁Boost packageI boost (repost) your account's toots through the month — di… $24/mo→ 🏛️Instance / community sponsorshipSponsor the server I run — a sponsor line in the About/rules… $30/mo→ 🤝Mutual boost collabWe boost each other across instances — a value swap between … Swap→

Every booking is a normal escrow-protected deal.

Followers
302
Account age
3 yrs

📊 Post engagement

7
Avg engagement / post
2.3%
Engagement vs followers
Nov 2022
On Mastodon since

🔥 Top post: “The histories of artworks are linked.” Why does this matter fo · 13 likes + reposts

📊 Activity & format

Posting cadence
0.16 / week
A lower-frequency account — each post lands with more weight.
Content mix
Mostly text
Recent: 4 text · 1 image · 0 video.
Follower / following
0.7×
Follows 450 back. A more reciprocal / networked account.

Recent posts

View on Mastodon ↗
🔥 Top post “The histories of artworks are linked.” Why does this matter for #provenance & how does it affect #museums? In the peer-reviewed essay “Taking Care of History: Toward a Politics of Provenance Linked Open Data in Museums,” now published in the digital publication "Perspectives … ★ 13
Wie sind Machtverhältnisse geschlechtlich konfiguriert? Wie organisiert Kapitalismus das Netz des Lebens? Wie intervenieren Künste in Konfliktfelder der Gegenwart? Wie wird das Gemeinsame organisiert? Derlei Fragen werden im MA "Kritik … Dirk Baecker zum WissZeitVG, der Universität und ihrer ungewissen Zukunft. Unbedingt lesenswert. #requiredreading https://www.soziopolis.de/unter-falschem-namen.html Delighted to announce the publication of my first-ever peer-reviewed article, together with my co-authors Lynn Rother and Fabio Mariani. Check out "Hidden Value: Provenance as Source for Economic and Social History," now out in the Econom… ★ 2 Choose one. #SurveyQueen #Colors ★ 7

🐘 Community & instance

Home server
hcommons.social
Their home server on the fediverse — the instance a creator picks signals the community they belong to.
On Mastodon since
Nov 2022
Joined in the Twitter-exodus wave of late 2022 — part of the migration that made Mastodon a real destination.

💡 Facts

🗓️Joined Mastodon in 2022 — 3 years ago.
👁️Averages 7 views per post.
📤Posts about 0.2× per week.

🛡️ Audience credibility

80/100 Excellent
  • Est. 97% real, active audience · Low fake-follower risk.
  • Strong engagement (~2.3% of followers engage each post) — an active, real audience.
  • Established account (3+ years old).
Est. authentic audience
97%
Fake-follower risk
Low
Data confidence
High

Heuristic estimate from engagement, follower ratios, account age & growth — a screening signal, not a guarantee.

About

Art / Historian. Translator. Currently: Research Associate, Provenance Lab, Leuphana University Lüneburg

🔀 Audience overlap

Estimated

Estimated shared audience with similar creators — useful for avoiding overlap (or doubling down) when planning a campaign.

Zo was Utrecht Zo was Utrecht 18% Andrew Donkin Andrew Donkin 17% ottO ottO 16% Julian Murgia Julian Murgia 15% Jerome (He/Him) Jerome (He/Him) 13% Trace Labs Trace Labs 11%

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